New BIOSHOCK until they officially introduced, but work on it continues. On the eve of his position in Cloud Chamber told Liz alblab (Liz Albl) – She became the leading screenwriter of action.
There is a girl in the track record Ghost of Tsushima, The fourth and fifth Far Cry, Watch Dogs: Legion And Assassin’s Creed IV: Black Flag. On Twitter Alble shared that she joined Cloud Chamber, to stand at the steering wheel of a group of scriptwriters BIOSHOCK: “The dream has become a reality!"
The Dream Is Real! So happy to announce i’ve Joined Cloud Chamber as Narrative Lead on Bioshock ⚡ Pic.Twitter.COM/TDNFVAR7X2
– Liz Albl (@mslizalbl) December 7, 2022
From the scraps of information, it became known that the action of the new BIOSHOCK will unfold in the city of Borea in the Antarctic of the 1960s. The game will be subject to previous parts of the franchise. The creator is original BIOSHOCK And Infinite Ken Levin (KEN LEVINE) in development is not involved.
Besides, Netflix engages in the film based on BIOSHOCK. The script for the project is already written, and the director’s chair took Francis Lawrence (Francis Lawrence). In the past, he shot such paintings as "Konstantin", "I am a legend" and several parts "Hunger games".
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The second bio -shit without Levin came out good. Not a fact, of course, that the new one will come out as good, but nevertheless
Well, this is for yourself.
On the one hand, we have FC4 C, probably, the most ambiguous antagonist of the series, and on the other WD: Legion, where … and someone remembers that it was there at all?
FARCRY 5, in my memory, did not really reveal the main topic – religious sects, and when working on AC4, it was generally an interns.
Now Black Flag and Far Cry 4 would call "shit".
… that the action of the new Bioshock will unfold in the city of Borea in the Antarctic of the 1960s. The game will be subject to Half-Life 2.
By the way, yes, he came https://vegasampedcasino.co.uk/withdrawal/ out good. From the point of view of gameplay, it was even better than the original, the plot was worse, but still normal.
There is actually a deep plot about raising children, and about what landmarks we instill in them with our actions, and this is through the prism of allusias on marital stains and the division of children. And if you look carefully, then the plot of the more popular Infinite was largely repeated by Bioshock 2. Yes, damn it, this topic is for a separate blog, but, I, a dog, too lazy ass.
And I hardly remember the big jackpot. He immediately became a bad film or something. If these comrades do at least at the level of the second part, I will say thank you to them already.
Bioshok in which there is no Ken Levina – this is not a bio -chill already. And to the screenwriter, whose “dream” is to write fan fiction on other people’s works I will have an extremely biased attitude. From my point of view, the “dream” of the writer should write something of his own, and not parasitize on someone else’s.
Veterans did the second bio -Chica, but it is not yet clear who these people are.
You might think that there were no good franchise games created by other people. Starting with Final Fantasy to King’s Bounty. Of course, given today’s trends, the failure is not excluded, but I still could not bear the verdict before the game is released.
Of course it can, well, a rarity … damn … something feeling that only geniuses work in Barbie. The best marketer of sega off America also worked there
But at least there is a chance that the game will come out: D
Broken (mechanical) clock show the exact time. Twice a day.
You do not really understand how "production" works. As if, nonflick does not just throw money out the window – and whoever picks up is Showranner. At first they come to them with pitch, they protect them, something nonflick is forcibly editing (it can generally buy an idea without throwing out a script, or without a showranner, if it reproaches). Yes, it is Netflix that is responsible for the final quality of the product – as you wrote, terrible and impersonalized.
Academy of Ambrell is also an adaptation (comic book). The series was released OK, but if you read the original, you will see that the non -FLLLLCA and then they have been uplifting. An original grotesque comic was turned into a Generic series according to the template.
So she is a screenwriter, not a game designer, and the plot was like not the worst
Netflix, Inc. – American entertainment company, as well as streaming services of films and series
Since 2013, Netflix has been producing its own films and series, including animation, as well as television programs.
Wikipedia quotes. Netflix is engaged in the production of content, and is also engaged in its distribution. They also produce third -party content, the production of which is not engaged in Netflix:
1) Content that is going everywhere, without any exclusivity, just comes out, as we have on KP and Ivi, everywhere and everywhere, I repeat, without any exclusivity.
2) Any Arken, Dahmer, Squid Gane, Edgerunners or anime-Dota are Netflix exclusives, but the company did not engage in them, these are contractual projects of third-party studios, in the production of which Netflix participation did not accept participation.
And there are some very strange things, Acbrell’s Academy, the Witcher and others, whose production is engaged in Netflix directly. This is a simplified description, but it works like that. So, yes, "guys from Netflix".
I agree with everything described, but … there is one nuance as they say
There is practically no concept of quality control for non -FLLLLISC. Yes, they do not remove themselves, in fact they stupidly distinguish grandmas, but in pursuit of all new and new subscribers they focus on the amount of content, and not its quality. This is good in the short term, but it is bad in the long -term. And this long -term is already starting to beat the non -FLLLLIS, when strong competitors have appeared, who can offer the same amount of money, content, but they also have the quality of the product manufactured (it is clear that it is not 100%, but more than that of non -FLLLLIS). And Netflix itself can only continue to put pressure on the number, continue successful projects (and that is not endless, but depending on the ideas of the showransmers + due to this, the quality of good original series of non -FLLLLIS also falls (hello the last seasons of Fargo, black mirror and card house).
And as an example of a policy of the opposite non -FLLLLIS, there is HBO, which let it release less and is also not always successful, but their series knows the whole world and speaks their reputation as a quality office, and not racial.
IMHO, the main blow to Netfliks was inflicted on Disney+, which can also give a quantity, but has a larger budget, a filmmaker of the century (even strange how they did not bought MGM with their film -like) with a bunch of franchises and the ability to invest in the quality of their series (albeit not all).
P.S. Well, Netfliks in the last 5 years has many unsuccessful major investments in the series, which should have become copies of successful series of competitors (which is only an enchanting failure of 100 million damned (ala IP from Netflix) like its quality). And they have many such examples.
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